Delightful dating website review
Still, Fincher allows himself one sequence of (literal) showboating.
Halfway through the film, he inserts a ravishing but quite unnecessary scene of the pretty Winklevoss twins (for a story of nerds, all the men are surprisingly comely) at the Henley Regatta. (One actor, Armie Hammer, has been digitally doubled.
Or as Mark pleasantly puts it across a conference table: “If you guys were the inventors of Facebook you’d have invented Facebook.”All that’s left for Zuckerberg is to meet the devil at the crossroads: naturally he’s an Internet music entrepreneur.
Trent Reznor, of Nine Inch Nails, commits exquisite brutality upon Edward Grieg’s already pretty brutal “In the Hall of the Mountain King.” All synths and white noise.
Again, we know its basic outline: a velvet rope, a cocktail waitress who treats you like a king, the best of everything on tap, a special booth of your own, fussy tiny expensive food (“Could you bring out some things? I don’t know, tuna tartar, some lobster claws, the foie gras and the shrimp dumplings, that’ll get us started”), appletinis, a Victoria’s Secret model date, wild house parties, fancy cars, slick suits, cocaine, and a “sky’s the limit” objective: “A million dollars isn’t cool. Fincher keeps the thumping Euro house music turned up to exactly the level it would be in real life: the actors have to practically scream to be heard above it.
Like many a nerd before him, Zuckerberg is too hyped on the idea that he’s in heaven to notice he’s in hell. Several times the script tries to square the real Zuckerberg’s apparent indifference to money with the plot arc of The Social Network—and never quite succeeds.
We came to the cinema expecting to meet this guy and it’s a pleasure to watch Sorkin color in what we had already confidently sketched in our minds. To get money, which leads to popularity, which leads to girls.
For sometimes the culture surmises an individual personality, collectively. Sorkin, confident of his foundation myth, spins an exhilarating tale of double rejection—spurned by Erica and the Porcellian, the Finaliest of the Final Clubs, Zuckerberg begins his spite-fueled rise to the top. A lot of scenes of lawyers’ offices and miserable, character-damning depositions. ”) Sorkin has swapped the military types of A Few Good Men for a different kind of all-male community in a different uniform: GAP hoodies, North Face sweats.
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I must be in Mark Zuckerberg’s generation—there are only nine years between us—but somehow it doesn’t feel that way.